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That the Hag is name-checked by so many current country stars as an influence is ironic, given that the bravery exhibited in this one song is greater than the combined bravery of every artist currently on the country charts. Contrast that discomfort with the bravery of an artist like Merle Haggard producing a song like “Irma Jackson” in the late 1960s.
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Country music seems to be an increasingly neutered genre, where nothing at all is said, where a hit song that welcomes a world where a black man could become president is seen, by some, as a bridge too far.
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Rebellion is drinking a cold one and getting a little loud, although it’s never mentioned what the country folk are getting loud about. In a recent commercial-country star’s genre-defining song, the act of singing about Jesus, tractors and little towns is portrayed as an unfashionable act that runs counter to the current of societal norms.
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